FRONTED BY the voluptuous Karen Lawrence, 1994 were one of the greatest North American hard rock bands that time and tide has indeed forgotten. Signed, in a blaze of publicity, to the mighty A&M label, produced by seventies studio wizard Jack ‘Aerosmith’ Douglas and hailed as the next big thing, the band never quite made the commercial impact all had hoped for.
Released in 1978, Geoff Barton, writing for Sounds magazine, (now Editor of Classic Rock), made no secret of his love for 1994’s self-titled debut album, acclaiming it as one of the year's best releases – a deadly yet cool combination of Heart and Aerosmith.
Look out too, for a rare special guest appearance by guitarist Brad Whitford - one of only a small handful of extraneous appearances outside the Aerosmith mother ship.
24-bit remastering from original source tapes, huge story of 1994 liner notes, tons of additional photos and memorabilia spread out over a 16 page full colour booklet. Also includes 4 bonus tracks taken from a 1978 concert.
TRACK LISTING: 'Once Again', 'Shoot To Kill', 'Sing To Me', Heleana', 'Bring It Home', 'Radio Zone', 'Hit The Hardway', 'Read Up', 'Anastasia', BONUS TRACKS: 'Shoot To Kill', 'Find It In The City', 'Hit The Hard Way', 'Bring It Home'.
FRONTED BY the charismatic Karen Lawrence, 1994: were one, in a long list, of great North American hard rock bands that time and fame overlooked. This, their sophomore album, was released in 1979, Geoff Barton, then writing for Sounds magazine, and now, of course, Editor At Large of Classic Rock, made no secret of his love for 1994’s music and the charms of Karen Lawrence, going so far as to acclaim them as a veritable cracker box of explosive guitar based rock topped off by a stellar performance from one of the best (female) vocalists of the era; a deadly yet cool combination of Heart and Aerosmith. Produced by the dynamic duo of Eddie Leonetti (Angel, Legs Diamond) and Jack Douglas, the album was lavished with fervent praise, attracting rave reviews both at home and abroad.
24-bit remastering from original source tapes, four bonus tracks, 4,000 word essay about the making of the album, interview with Karen Lawrence and additional previously unseen photos spread out over a 12 page full colour booklet.
TRACK LISTING: 1) Once Again 2) Shoot To Kill 3) Sing To Me 4) Heleana 4) Bring It Home 5) Radio Zone 6) Hit The Hardway 7) Read Up 8) Anastasia. Bonus tracks: 9) Shoot To Kill 10) Find It In The City 11) Hit The Hard Way 12) Bring It Home.
THERE’S NO getting away from the fact that Thin Lizzy were one of the most influential rock bands of all time. Lead guitarist Scott Gorham was, of course, an essential part of that outfit, carving out a reputation on a string of spectacular albums with his spellbinding guitar playing. After the demise of Lizzy, Scott cooled his engines and spent some time planning for the future, which eventually led to the formation of 21 Guns, a band fit for purpose, boasting both precision and power.
Joining Scott in this new recording venture was an all American line-up, consisting of co-writer, bassist and keyboard player Leif Johansen (Phenomena), drummer Mike Sturgis (Asia) and vocalist Thomas La Verdi, who had previously fronted cult AOR unit A440. Partnering with renowned producer and mixing engineer Chris Lord Alge (Meatloaf, Creed), 21 Guns recorded their album in Los Angeles and found the finished product receiving plaudits from virtually everyone who heard it.
Originally released in 1992, all would have been well and good if only the grunge revolution wasn’t in full swing. With their melodic and polished sheen 21 Guns were ostracised by some quarters the media for sounding dated and being part of a musical heritage that was now rapidly becoming passé. Of course, with the benefit of hindsight we can clearly see that ‘Salute’ is one of the finest rock albums of any era, allowing Scott Gorham to unleash stupendous guitar work and spectacularly crafted songs.
24-bit remastering, 4,000 word essay about the making of the album, new interview with the band, enhanced artwork and photos spread out over a 16 page full colour booklet.
TRACK LISTING: 1. Knee Deep 2. These Eyes 3. Walking 4. Marching In Time 5. The Rain 6. Little Sister 7. Pays Off Big 8. Just A Wish 9. Battered And Bruised 10. Jungleland 11. Tell Me 12. No Way Out
“HE WAS THE man with the rocket firing guitar. Dubbed the Space Ace, the coolest member of 70s rock gods Kiss and a man who attracted a legion of fan followers of his own for reasons both good and bad. Ace’s devilishly potent guitar playing lent Kiss a sense of purpose and ambition that elevated them from amusing comic book crusaders to seriously dangerous heavy metal heroes.
As with most things in life it couldn’t last. Down but not out, Ace left Kiss in 1982 to pursue a solo career, one that was eagerly anticipated by legions of fans keen to sample his razor sharp riffs and quirky song writing in a brand new setting. With two successful albums recorded under the banner of Frehley’s Comet, Ace retired the band moniker in favour of a solo outing for album #3, the amusingly titled ‘Trouble Walkin’.
Issued in late 1989, the album reunited Ace with veteran Kiss Producer Eddie Kramer helping to craft a record of high grade hard rock with all the accoutrements that you might reasonably expect from such a maverick character. With titles such as ‘Shot Full Of Rock’, ‘Five Card Stud’, ‘Hide Your Heart’, ‘2 Young To Die’ and a brilliantly creative cover of ELO’s ‘Do Ya’, Ace unloads salvo upon salvo of lighting fast licks and twisted riffs proving that his talent was as explosive as ever.”
Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology, 16 page full colour booklet, 3,500 word essay, enhanced artwork and rare photos.
TRACK LISTING: 1. SHOT FULL OF ROCK 2. DO YA 3. FIVE CARD STUD 4. HIDE YOUR HEART 5. LOST IN LIMBO 6. TROUBLE WALKIN' 7. 2 YOUNG 2 DIE 8. BACK TO SCHOOL 9. REMEMBER ME 10. FRACTURED III
WE HERE AT Rock Candy love to champion the underdog, acts that slipped beneath the radar before disappearing altogether. It’s a murky and sadly depressing world, one occupied by some of the world’s most talented musicians robbed of success by factors outside of their sphere of influence. Airborne were one such act. They were an amazingly proficient band crafting some of the best melodic rock that had ever been crafted yet somehow their fate was sealed when record company politics reared its ugly head. Featuring future producer Beau Hill (Ratt, Winger, Warrant), and signed to Columbia Records, this highly gifted five piece band recorded the debut album under the superior production guidance of Keith Olsen (Fleetwood Mac, Rick Springfield, Sammy Hagar), in Los Angeles and London (AIR studios) resulting in one of the era’s most compelling and streamlined records. Comparable with the best work of Styx, Touch and Foreigner the accent was on lovingly constructed songs underpinned with meaty guitar riffs and exquisitely crafted vocals, layered to perfection. Originally issued in 1979, the album attracted a slew of favourable reviews but just when things were looking to take off, including a proposed tour with the Cars, the President of Columbia Records jumped ship leaving the band high and dry with the new regime deeming Airborne as yesterday’s news. It was, in effect, a knockout blow. However we still have their sole album to remind us what could’ve been.
Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology, 12 page full colour booklet, 3,500 word essay, enhanced artwork, photos and new interview with Beau Hill.
TRACK LISTING: 1. THE LADY KNOWS BEST 2. FEEL LIKE LOVIN’ 3. GHOST OF LOVE 4. WASTIN’ MY TIME 5. NO EXCEPTION TO THE RULE 6. SOLDIER OF FORTUNE 7. THAT’S WHERE MY LOVE GOES 8. LIFE IN THE CITY 9. STAND UP 10. OPTIMYSTICAL
Influenced predominantly by superstar American acts such as Foreigner, Journey, Survivor and Heart came a new breed of British melodic rock band ready and willing to take on the competition with a sense of energy and professionalism that, if lady luck had been smiling in the right direction, might have catapulted them to the same dizzying heights of success. FM, Shy, Tobruk, Lionheart, Strangeways and Grand Prix were the main frontrunners but it wasn’t until Airrace arrived on the scene that the scene gained a real contender for the NWOBMM (New Wave Of British Melodic Metal) throne. Signed to the giant and hugely influential Atlantic label, they headed straight to New York City, recording with one of the top American producers of the day, namely Beau Hill, the man behind platinum albums from Ratt, Warrant, Winger, Kix, Europe and Twisted Sister. ‘Shaft Of Light’, originally released in 1984, is a masterpiece of catchy hook laden rock with tough-guy guitar riffs, quality keyboards and the superior vocals of frontman Keith Murrell, who has one of the greatest rock voices of all time. With Jason Bonham providing a solid swing to the rhythm section it remains a mystery why Airrace failed to connect on a multi-platinum level.
24-bit remastering from original source tapes, 4,000 word story of the making of the album, full involvement by the band, rare photos, two bonus tracks, all spread out over a superb 16 page full colour booklet.
Track Listing: 1. I Don’t Care 2. Promise To Call 3. First One Over The Line 4. Open your Eyes 5. Not Really Me 6. Brief Encounter 7. Caught In The Game 8. Do You Want My Love Again 9. Didn’t Wanna Lose Ya 10. All I’m Asking. Bonus Tracks: 1. Not Really Me (demo) 2. She Can’t Come Out (demo)